Broken Homes

Sue Hill



This paper focuses on the complexity of notions of ‘home’, with special reference to the work I have been doing in conflict areas, through WildWorks and the Eden Project, with people who have experienced what happens when more than one tribe thinks of a place as their home. The word ‘home’ conjures cosy images of safety, comfort, warmth. But ‘home’ can also imply ‘homeland’ and ‘territory’. I explore¬† what ‘home’ means for the communities we have worked with in Kosovo, Cyprus, and the West Bank, and the significance of collective memory of place in culture and identity.¬† Finally I examine the role of the artist making work in and for these post-conflict areas with the people who live there, describing pitfalls and sensitivities and proposing a set of guiding values and principles.


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