Amitav Ghosh is struggling with the role of literature and why he and other authors find it difficult to in any way speak to the climate crisis even as it unfolds around us. His contention in The Great Derangement: Climate Change and the Unthinkable (2016) is that the novel, the primary form of literature, developed in precise alignment during the 19th Century with “the regularity of bourgeois life” (p25). He argues that it is this concern with regularity as well as a focus on the individual which makes the novel a form ill-suited to dealing with the magnitude and strangeness of the planet speaking back to us.
But this might be only one way in which the arts are implicated in the climate crisis as it is manifest around the globe. Ghosh asuggests that the visual arts (along with film and television) have found it much easier to address climate change