The monograph Marlene Creates: Places, Paths, and Pauses was published last year to coincide with a touring retrospective of the work of Marlene Creates, co-curated by Susan Gibson Garvey and Andrea Kunard. The exhibition was organised by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery, it launched in September 2017 and is touring to different locations across Canada until 2020.
This beautifully produced monograph is my first introduction to the work of the Canadian environmental artist Marlene Creates (pronounced “Kreets”). Reading the book acquainted me with the breadth of Creates’ ‘discreet’ practice (p.15) through many crisply reproduced photographs, showing details and exhibition installations of her work. The photographs are accompanied by Creates’ own commentary, giving succinct insights into some of the motivations and processes behind her different bodies of work. Because photography has been the main medium for Creates to document and share her work with others, it translates well onto the printed page.